Ontology of the word as a critical principle of the logic of culture

The application of the method of the history of concepts (Begriffsgeschichte) is productive for expressions with authorships, but the meaning of which is determined by changes in the philosophy of culture. The term ontology of the word , introduced by Gustav Shpet, was justified by a radical reform of epistemology, which this philosopher produced. This reform was critically examined by Bibikhin, which made it possible to clarify Shpet’s project as defusing ontology and epistemology both for the sake of creating a working logic of culture. Also, the ontology of the word was developed in the circle of Chinari , where it was included in the general project of negative ontology as an independent logic of culture. But modern philosophy of culture can also clarify this project, no longer at the level of ontology and epistemology itself, but at their representations. New projects of the ontology of the word have become convincing through the complex intellectual work in which there are more breaks than connections, but thanks to the equally arranged refinements, the ontology of the word now exists as a critical principle of the logic of culture.