The «Genuine» history of the picture in F.Umbral’s novel «The young ladies of Avignon»
Автор: Suslova I.V.
Журнал: Мировая литература в контексте культуры @worldlit
Рубрика: Проблемы рецепции и интерпретации в мировой литературе и культуре
Статья в выпуске: 16 (22), 2023 года.
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The article analyzes the alternative history of the creation of the painting, presented in the novel by the Spanish writer F. Umbral «The Young Ladies of Avignon » (1995). The presence of elements of parody and burlesque in the poetics of the work, an arbitrary combination of historical, biographical information with fiction is noted. The hero-narrator in the novel writes a «saga about the 20th century», claims to be exceptionally authentic. A special place in this «epic» is occupied by the history of the Spanish avant-garde, embodied in Pablo Picasso and his painting «The Young Ladies of Avignon». In the context of the analysis of the theme of the history of the picture, it is concluded that the hero-novelist enters into a creative confrontation with the artist, tries by novel means to overcome the flat vision and the destructive effect of cubism, to return the epic perspective and depth to the models («real Avignon young ladies»).
Francisco Umbral, Pablo Picasso, «Young Ladies of Avignon», cubism, painting, novel
Короткий адрес: https://sciup.org/147241933
IDR: 147241933 | DOI: 10.17072/2304-909X-2023-16-97-106