The role of Arabic calligraphy in miniature

Автор: Abdullayeva G.A.

Журнал: Экономика и социум @ekonomika-socium

Статья в выпуске: 10 (89), 2021 года.

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This article discusses the role and importance of Arabic calligraphy in Miniature and its special features. The history of Arabic calligraphy, its major representatives and the work they have done have been studied. The influence of the miniature genre on Arabic calligraphy has been studied.

Arabic calligraphy, laconicism, building inscription, style, architecture of Seljuk, independent element, wicker, blooming

Короткий адрес: https://sciup.org/140260705

IDR: 140260705

Список литературы The role of Arabic calligraphy in miniature

The subject of research is religious buildings; therefore, the portals of numerous Anatolian caravanserais are not considered here.
Ögel S. Anadolu Selçuklu Taş Tezyinatı. (Stone decoration in Anatolia Seljuk time). Ankara, 1987. Res. 1.
Rogers M. Waqf and Patronage in Seljuk Anatolia: the Epigraphic Evidence. // AS, vol XXVI, 1976.
Bayburtluoğlu Z. Anadolu’da Selçuklu Dönemi Yapı Sanatçıları. (Master builders of the Seljuk time in Anatolia). Erzurum, 1993.
Sahib Ata Mosque (1258), Inje Minareli Madrasah (1264-65, both in Konya), Gok Madrasah (1271, Sivas).
Bayburtluoğlu Z. Decree. Op. p. 132.
Oral, M. Zeki. Konya’da Ala üd-Din Camii ve Türbeleri. I. Yapılar, Kitabeler. (Alaaddin Mosque in Konya and mausoleums at it). Yıllık Arastşrmalar Dergisi, I (1956). C.57.
Ibid, p. 57-58.
Özönder H. Konya’da Selçuklu Devri Abidelerinde Görülen Epigrafik Özellikler. (The nature of the epigraphy of the monuments of the Seljuk period in Konya) // Konya. Haz. F.Halıcı. Ankara, 1984, p. 16.
Hill, D., Grabar, O. Islamic Architecture and its Decoration. L., 1964, p. 85.
Al-Khallab A. Aesthetic foundations of Islamic ornament. M., 1999, S. 69.
See, for example: Sourdel-Thomine J. Selçuklular devrinde Halep kufi azısı. (Kufic letter in Alep - according to the Seljuk time). // Tarih Dergisi. No. 26. Mart: 1972.
Classic examples of the exclusive use of inscriptions in this font belong to the exteriors of Timurid buildings in Iran and Central Asia.
Meinecke M. Fayence decorationen seldschukischer Sakralbauten in Kleinasien. Tubingen, 1976. Teil I. C. 148-149.
Only two fragments (21 (31) and 76 (21)) are repeated in the decor of the right and left fountains. Reading most of the texts on the portal by: Uğur, M. Ferit, Koman, M. Mesut. Selçuk veziri Sahip Ata ile Oğullarının hayat ve eserleri. (Description of the life and buildings of the Seljuk vizier Sahib Ata and his sons). Istanbul, 1934. Previously unattributed fragments were kindly read for this research by NF Ismagilov (N. Nakkash). Now in the southern part of the old city.
Meram is a village to the west of Konya, a place of recreation for the townspeople, famous for its gardens and villas located along the river descending from the mountains.
According to the edition: Koran. Translated from Arabic by G.S. Sablukov. Third edition. Kazan, 1907.
One of such rare examples is the solemn gate of Bulent Darwaza at Fatehpur Sikri (16th century, India). Wheeler M. Thackston. The Role of Calligraphy. // The Mosque. History, Architectural Development & Regional Diversity. Ed. By Marthin Frishman and Hasan-Uddin Khan. L. 1994. P.47.
In Anatolia, in the decor of nineteen monuments of religious architecture (facing of ayvans, mihrabs, sarcophagi, windows, dome bases). See: Meinecke M. Op. Cit., Vol. II, S. 189-190.
Wheeler M. Thackston. Op. Cit., P. 53.
The mosque underwent several reconstructions, as a result of which a portal and inscriptions, which were discussed above, were built into its courtyard wall. Oral, M. Zeki. Decree op. P. 58.
Ettinghausen R., Grabar O. The Art and Architecture of Islam: 650-1250. Yale Univ. Press 1994. p. 325.

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