Analysis of the application of digital media art principles in the chinese film industry from 2010 to 2020

This extensive review explores the theoretical foundations, historical evolution, and practical applications of digital art in media, with an emphasis on its profound impact on the film industry. Scientists such as Manovich, Paul and Kvastek contribute to understanding the intricacies of digital art, its principles and aesthetic dimensions. The analysis covers the period from 2010 to 2020, highlighting the significant role of digital media in the formation of new forms and languages of cinema. In practical terms, Ma Fangnan, Zhang Zhiming and Jing Haiyang delve into specific cases, emphasizing the influence of digital media on scene design, animation and visual representation. Overall, this review highlights the transformational impact of digital media art on cinema, providing insight into its theoretical foundations and practical applications. In summary, the comprehensive exploration of digital media art encompasses theoretical foundations, historical context, practical applications, and the transformative impact on the Chinese film industry, shedding light on the challenges and opportunities within this evolving landscape.