Телесный резонанс звукового пространства: тишина, шум и музыка как режимы аффекта в культуре

The article proposes a triadic model of the cultural soundscape in which silence, noise, and music are viewed not as hierarchically ordered categories, but as equal poles of mutual reversibility. The model’s theoretical foundation is the concept of the «logic of mutual transformations» (T.B. Sidneva), which makes it possible to describe movement among the three poles as an immanent dynamic of the soundscape. The model’s anthropological content is provided by the concept of the «corporeality of listening» (A.M. Sosnovskaya; A.V. Markov), within which the listener’s body is understood as a resonating co-author of the aesthetic event. Combining these two concepts allows each of the three poles to be interpreted as a distinct mode of bodily affect: silence as a functionally heterogeneous phenomenon, whose bodily response is determined not by the acoustic characteristic of soundlessness but by the cultural context and the role silence plays in a given situation; noise as a high affective load that precedes semantic categorization; and music as structured affect. The mutual transformations of the poles can be read as a cultural history of human corporeality.