The development of the tsar's and patriarchal choirs’ repertoire in Russia of the 16th - 17th centuries
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In Moscow of the 16th - 17th centuries the choir at the Tsar’s court and the choir at the court of the Metropolitan (from 1589 - the Patriarch) of All Russia united the best musical creative forces of the country. According to the author, the study of historical data on the life and activities of the Tsar’s and patriarchal singers indicates that they belonged to the category of court service class people. The church-singing repertoire of the main choirs was formed in accordance with the requirements of the liturgical Statute and the rules of Old Russian musical art development, political trends of the time and events of national importance. This repertoire consisted of different styles chants and chants of authorship, which the singers rewrote and performed. The findings of the study are based on an analysis of a wide range of singing manuscripts, documentaries and other sources.
Tsar's singing diaki, patriarch's singers, professional activity, repertoire of old russian choirs
Короткий адрес: https://sciup.org/147233392
IDR: 147233392 | DOI: 10.14529/ssh200113
Список литературы The development of the tsar's and patriarchal choirs’ repertoire in Russia of the 16th - 17th centuries
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