Статьи. Рубрика в журнале - Schole. Философское антиковедение и классическая традиция

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Ancient horror story about a werewolf in Petronius' novel “Satyricon” and Federico Fellini’s film “A marriage agency”

Ancient horror story about a werewolf in Petronius' novel “Satyricon” and Federico Fellini’s film “A marriage agency”

Sinitsyn A.

Статья научная

The article makes an assumption about a probable reference to Petronius' Satyricon, occurring in Federico Fellini's novel A Marriage Agency (Un'agenzia matrimoniale), which is part of the anthology film Love in the City (L'amore in città, 1953) made by a group of Italian film directors. Many a time did the Italian film maker admit that he had discovered Petronius as early as his years at the lyceum in Rimini. The author of the article adduces arguments testifying to a possible influence Petronius may have had on Fellini; he draws parallels between the ancient horror-story told by a freedman, Niceros, at the feast held by Trimalchio (Sat. 61-62) and the modern story created by Federico Fellini. These parallels in the stories about werewolves (versipellis), found in Petronius' Satyricon and in Fellini's A Marriage Agency, are credible coincidences. Fellini chose the tale about a werewolf, which may have been inspired by Petronius' novel that had had a great influence on him in his green years. And the horror-story about a lycanthrope told by Niceros is undoubtedly one of the most memorable ones at the cena Trimalchionis. If the assumption in the article is true, then the story A Marriage Agency is Fellini's yet another film that, along with Satyricon, features the Petronius subject, and, what is most important, this happened half a decade before his ‘historiographic' masterpiece.

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Antisthenes: cynic or aristocrat?

Antisthenes: cynic or aristocrat?

Protopopova I.A., Garadja A.V.

Рецензия

Review of: Kennedy, William John, ed. (2017) Antisthenes' Literary Fragments: Edited with Introduction, Translations, and Commentary. A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy. Faculty of Arts, University of Sydney. (https://ses.library.usyd.edu.au/bitstream/2123/16595/1/Kennedy_WJ_Thesis%20Final.pdf). The review deals with a thesis by William John Kennedy devoted to Antisthenes. The authors of the review are chiefly interested in the first part of the work where Kennedy is attempting to substantiate his controversial view on Antisthenes' philosophical affiliation, asserting that he had nothing to do with the Cynics and in his ethical judgment abided by traditional tenets of Athenian aristocracy. The review is focusing on those hermeneutical devices, including rather biased translations that allow the author to come to a conclusion that breaks so starkly with the standard position in modern Classical studies.

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Aphrodite : the subversion of the myth of Prometheus and Pandora in Empedocles

Aphrodite : the subversion of the myth of Prometheus and Pandora in Empedocles

Hernndez Castro David

Статья научная

This article examines the relationship between Hesiod and Empedocles through a comparative analysis of the Prometheus and Pandora myth and the Queen Cypris narrative. The author sustains that correspondences between the works of Hesiod and Empedocles can be interpreted through the framework of overlapping narrative structures, which would help to establish the order of the fragments. The relationship between Empedocles and Hesiod is polemic due to the fact that they belong to rival schools of wisdom. In the case of Empedocles, that school emanated from the Sanctuary of Apollo in Delphi.

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Architectural perspective and the private-public continuum in the villas of ancient Stabiae: preliminary considerations

Architectural perspective and the private-public continuum in the villas of ancient Stabiae: preliminary considerations

Telminov Vyacheslav

Статья научная

The article serves as a starting point for a research project dedicated to the dichotomy of private and public, and its implications and dynamics in the late Roman republic - early Empire. The primary focus is on the roman private spaces in the villas and houses of the Vesuvian archaeological area. The main methodological approach is represented by the ‘space syntax” theory of B. Hillier and the “movement as memory” theory of D. Favro developed within the logics of Spatial Turn studies, further refined by A. Russel in her works on Roman public space.

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Arist. Nicom. Ethic. III 4, 1111b4-7, 1113b22 как источник концептуального аппарата в учении Максима Исповедника о волении и волевом акте

Arist. Nicom. Ethic. III 4, 1111b4-7, 1113b22 как источник концептуального аппарата в учении Максима Исповедника о волении и волевом акте

Петров Валерий Валентинович

Статья научная

В статье исследуется учение византийского философа и богослова Максима Исповедника (c. 580-662) о воле и волевом акте. Анализируется группа понятий, содержание которых Максим обсуждает применительно к этапам и составляющим процесса воления. Показано, что сердцевину понятийного аппарата, на основе которого Максим, вовлеченный в христологическую полемику с монофелитами, строит свое учение о воле, составляют термины, обсуждаемые Аристотелем в «Никомаховой этике» III, 4, 1111b 4 - 7, 1113b 22. Также реконструируется учение Максима о естественной и избирательной волях человека.

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Aristotle on love and friendship

Aristotle on love and friendship

Konstan David

Статья научная

David Constant (Brown University, Providence, USA) presents a small paper entitled "Aristotle on Love and Friendship," in which he shows that, contrary to the opinion of many ancient scholars, the term philia in Aristotle means selective and effective relations between people, and not ties like kinship, conditioned by reciprocal obligations and not assuming an effective element as an essential characteristic. In addition, the author solves the ambiguity problem of the word philia, which can mean both "love" and mutual affection, characteristic of friendship.

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Ars vitae in iamblichus and in the stoic Seneca

Ars vitae in iamblichus and in the stoic Seneca

Eliopoulos Panos

Статья научная

Seneca expounds a theory of therapy and teaching with the ultimate goal of self knowledge and wisdom. Some of his techniques are based on Pythagorean principles or derive ideas from them, among them the focused and constant ascesis of self control. Iamblichus in De Vita Pythagorica exhibits great interest on the fact that mans inherent abilities along with the aid of proper education suffice for his attainment of wisdom. For both thinkers, knowledge through practice is considered to be one of the major philosophical demands in the perspective of an ars vitae. The human being has to canalize himself into the modeling of a new way of living, an art of living which will contribute decisively to the fulfillment of his teleology, to his perpetual eudaimonia (bene vivere). The admittance of individual differences in peoples ability to reform themselves only signifies the more intense effort of the teacher towards a purification of their intellect and greater engagement of the individuals volition but not their inability for correction.

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Beauty, love and art: the legacy of ancient Greece

Beauty, love and art: the legacy of ancient Greece

Konstan David

Статья научная

There is a deep problem with beauty. Beauty is commonly equated with sexual attractiveness. Yet there is also the beauty of art, which arouses an aesthetic response of disinterested contemplation. As Roger Scruton writes in his recent book, Beauty (2009): “In the realm of art beauty is an object of contemplation, not desire.” Are there, then, two kinds of beauty? By looking back at the classical Greek conception of beauty, we may see how it gave rise to the modern dilemma, and some possible ways of resolving it.

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Damascius and the practice of the philosophical life: on the impossibility of communication about and communion with the first principles

Damascius and the practice of the philosophical life: on the impossibility of communication about and communion with the first principles

Kalogiratou Androniki

Статья научная

This paper is an overview and introduction to the key elements of Damascius’ philosophy. I examine the attributes and the relationship between the Ineffable, the One, and the All as the cornerstones of his theoretical system. I then investigate the role of this system of thought for Damascius and his contemporaries as a guide to the philosophical life and its repercussions for attaining the highest principles. Is contemplation possible or are other means needed, such as theurgy and purification of the soul? Does the philosopher occupy a privileged position in this system, as in the preceding Platonic tradition or is the philosopher’s position different, by the experience of void and the inability to speak about and grasp the ‘nothingness’ of the highest principles?

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De arte metrica беды досточтимого и христианизация образования в раннем Средневековье

De arte metrica беды досточтимого и христианизация образования в раннем Средневековье

Петрова Майя Станиславовна

Статья научная

В статье показано, какие тексты христианских поэтов Беда Досточтимый использовал при написании De arte metrica , как он их цитировал и привлекал; демонстрируется, каким образом в образовательном процессе раннего Средневековья происходило вытеснение существующих норм классического стиха и их замена на христианские.

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De poetis lesbiorum, de Herma, deo fertilitatis, et de mysteriis Artemidis apud mytilenaeos olim celebratis

De poetis lesbiorum, de Herma, deo fertilitatis, et de mysteriis Artemidis apud mytilenaeos olim celebratis

Мякин Тимофей Геннадьевич

Статья научная

Статья завершает исследование эротического ритуала предсвадебных мистерий Артемиды в античной Митилене и его отображения в поэзии Сапфо и Алкея. Девушки-невесты либо новобрачные, проходя посвящение в мистерии Артемиды, приносили в жертву Артемиде свою девственность (ср.: Sapph. Fr. 99 (a-b), Sapph. Fr. 114 Campbell; SEG XX 717, 84-97; IG XII (2) 255; Ps.-Aeschin. 10 и др.). При этом старшие девушки в ходе этого ритуала, по-видимому, выступали в образе Гермеса, фаллического божества плодородия (ср. Sapph. Fr. 141, Sapph. Fr. 150 Campbell; TAM III/1 35, A1). В пользу такой интерпретации свидетельствует сопоставительный анализ данных археологии, эпиграфики и литературной традиции.

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Delta Берроуза для древнегреческих авторов: опыт применения

Delta Берроуза для древнегреческих авторов: опыт применения

Алиева Ольга Валерьевна

Статья научная

В этой статье предпринята попытка эмпирически оценить эффективность метода измерения стилистической разницы, известного как Delta Берроуза, на материале древнегреческого корпуса. Эксперимент с корпусом из четырнадцати (и затем восьми) авторов подтвердил общую эффективность метода. Даже на небольших выборках в 1000–5000 слов решения Delta по большей части корректны, а ее ошибки связаны в основном с текстами, близкими в жанровом отношении. Именно жанровое сходство в обучающей выборке, а не количество слов или длина отрывка, оказывает наибольшее влияние на результат классификации. В спорных случаях, особенно если нет возможности использовать отрывки большей длины (10 000 слов и больше), составление шорт-листов предпочтительнее, чем назначение единственного кандидата. Подобные шорт-листы дают адекватное представление о ближайших стилистических соседях испытуемого текста, оставляя свободу исследователю в интерпретации результатов.

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Dialectical approaches of temperance in the platonic dialogue “Charmides” (157c-158e)

Dialectical approaches of temperance in the platonic dialogue “Charmides” (157c-158e)

Terezis Ch., Petridou L.

Статья научная

The purpose of this article is to investigate how the discussion in Plato’s “Charmides” is formed with respect to a) the ontological and epistemological approaches of the virtue of temperance and b) how the transition from a general definition of a virtue to its presence to a person is accomplished. After a concise presentation of those discussed in the passage 156d-157c, where we follow Plato’s views on the soul to that time, we focus on how dialectics between Socrates and “Charmides” develops in the passage 157c-158e. Our article includes, apart from an introduction and an epilogue, two chapters. The first one is mostly analytical and the second is mainly formed by synthetic judgements. They are both crucial mostly for methodological reasons, since through them we can follow how temperance turns gradually into a question to be investigated and how the Athenian philosopher attempts to set the foundations of a discussion based on rational reason with the main reference focusing on the criteria which someone can use to prove that he possesses temperance.

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Etymology of the nickname 'Iskarit(h): the “one who saw a sign” [('I)sqar(^i)'^o/yisqar(^i)'^o] or the “one who slandered/betrayed a sign” [('I)sqar(^i)'^o/yisqar(^i)'^o]?

Etymology of the nickname 'Iskarit(h): the “one who saw a sign” [('I)sqar(^i)'^o/yisqar(^i)'^o] or the “one who slandered/betrayed a sign” [('I)sqar(^i)'^o/yisqar(^i)'^o]?

Tantlevskij Igor

Статья научная

The article derives Judas's nickname 'Iskariṓt(h) from the Hebrew/Aramaic verb sāqar/seqar, and the noun 'ōṯ/'ôṯ (widely used in Biblical Hebrew and attested in the Talmud [=Aramaic 't/'t']), and interprets it as the “one who saw/gaze upon a sign” (cf., e.g., John 2:23, 4:48, 6:2,14,30 mentioning those who «saw signs» and came to be Jesus's followers; the verbs theōréō and ‘oráō used in these passages correlate with the verb sāqar/seqar, “to look (at), gaze, see”, and the noun sēmeîon (pl. sēmeîa) correlates with the term 'ōṯ/'ôṯ, “sign”). The ex hypothesi “positive” character of Judas's nickname possibly explains the evangelists' renunciation of its interpretation. As an alternative etymology of Judas's nickname 'Iskariṓt(h), one can derive it from the Hebrew/Aramaic verb šāqar/šeqar (“to lie, deceive, slander”, sc. “to violate (a treaty, etc.)”, “to betray” [the latter meaning is attested in Samaritan Aramaic]) and the same noun 'ōṯ/'ôṯ: the “one who slandered/resp. betrayed a sign”, i.e. the one who brought false evidence against Jesus (сf.: Matt. 26:59 ff.; Mk. 14:55 ff.). In Jn. 6:70, Jesus himself defines Judas with the term diábolos; this word can be interpreted as “slanderer”, “accuser”.

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Finding meaning in the past: reinterpretation of the late roman artifact, the golden ring with a carnelian intaglio from the museum of Georgia

Finding meaning in the past: reinterpretation of the late roman artifact, the golden ring with a carnelian intaglio from the museum of Georgia

Avaliani Eka

Статья научная

This paper offers a novel interpretation of the luxury golden ring with a carnelian intaglio depicting a woman's profile and an engraved Greek inscription, ΒΑCIΛICCΑ ΟΥΛΠIAΝΑ(Ζ)IA (or AΣIA E.A.), found in cist grave 14, in Mtskheta, Georgia, dated to the Roman period, the 3rd century AD. In consideration of the then contemporary political situation in the Mediterranean and Roman East, through the putting and interpreting sources into broad historical context, the author identifies the female individual as the Roman Empress Ulpia Severina. The very inclusion of royal woman within public propaganda during this period signifies her prominence within, and significance outside of, the imperial metropolis. This deliberate inclusion proved to the public that this empress was not mere figurehead but could have been a very influential person in the Empire.

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Fondation de Qarthadasht en Afrique du Nord – comme problème dans les recherches sur la chronologie de la plus ancienne histoire de Carthage

Fondation de Qarthadasht en Afrique du Nord – comme problème dans les recherches sur la chronologie de la plus ancienne histoire de Carthage

Miron Wolny

Статья научная

L'auteur de l'article tente de relier l'observation des relations économiques et commerciales développées par les Phéniciens dans la partie occidentale de la Méditerranée à une réflexion sur la situation dans laquelle se trouvaient les pays du Levant. On sait qu'à l'époque où la fondation de Carthage peut être hypothétiquement localisée, les centres phéniciens étaient sous pression politique, économique et militaire - principalement de l'Assyrie - bien que d'autres puissances, comme Damas, ne puissent être exclues. D'autre part, cependant, on sait que, par exemple, dans la science allemande l'absence d'acte fondateur de Carthage en Afrique du Nord a été soulignée, et les traces archéologiques laissées sur ce territoire semblent insuffisantes pour concilier les relations littéraires conventionnelles avec l'acte fondateur. de Carthage à la fin du IXe siècle av. L'intention de cet article est de tenter de montrer les enjeux à partir desquels il convient d'envisager la réinterprétation des événements rapportés dans le contexte de la fondation de Carthage. Cette démarche servirait à réviser les connaissances scientifiques existantes sur la chronologie de la fondation de Qarthadasht et pourrait, par conséquent, contribuer à montrer que la fondation de Carthage s'inscrit dans une période postérieure - c'est-à-dire la fin du VIIIe ou le début du VIIe. siècle avant notre ère.

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Harmony, order, and unity in Plato’s Laws

Harmony, order, and unity in Plato’s Laws

Pasqualoni A.M.

Статья научная

In Book X of Plato’s Laws , the motions of the body are contrasted with the changes of the soul. The latter are categorically different from the former. The soul is oriented in time while the body is oriented in space. Despite their differences, soul and body work in unison. When the senses are informed by λόγος, order is perceived and enacted. The coordination of soul and body is most evident in music and dance. A choral dance is a composition in which body and soul and their analogues, space and time, are unified. A city is an analogous composition. The relation between body and soul parallels the relation between a city on the one hand, and its laws, beliefs, and customs on the other. For these reasons, the highest order of a city is its religious order. The religious life of a city integrates time and space as well as soul and body. Religion serves as a binding power that harmonizes the city and its people.

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Heraclitus and logos – again

Heraclitus and logos – again

Robinson Thomas

Статья научная

The paper has as its goal the investigation of the meaning of logos in DK frs. 1, 2, 31b, 39, 45, 50, 87, 108, and 115, with particular emphasis on frs. 1, 2 and 50. It is argued that the focal meaning of the term is ‘account’ or ‘statement’, and that the statement in question, of particular importance in frs 1, 2 and 50, it the account/statement forever being uttered by ‘that which is wise’, ( to sophon ), Heraclitus’ divine principle. Plato picks up the idea, with his notion of a World Soul which is similarly forever in a state of utterance (‘ legei ’, Tim. 37ab) which is a piece of self-description, and it is suggested that a modern version of the notion of the universe being in an everlasting state of such self-description is our ability to learn what it has to say by investigating the ‘language’ of radio waves and the like, which are forever being emitted by all moving systems composing the real, and thereby forever offering us a piece of the real’s self-description of itself.

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History and Fantasy on Acholius, the Biographer

History and Fantasy on Acholius, the Biographer

Gabriel Estrada San Juan

Статья научная

Among the bogus authors cited in the Historia Augusta, there are some who turn out to be masks for real authors, as part of the picaresque aspect of the work. However, the vast majority are simply disregarded as the product of the biographer’s invention. One of them is Acholius, an author cited on four occasions. We believe that there are reasons to include him in the first group.

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How Damascius correlates first principles in orphic theology to his Neoplatonic first principles: Damascius, on first principles chapter 123

How Damascius correlates first principles in orphic theology to his Neoplatonic first principles: Damascius, on first principles chapter 123

Song Ju.

Статья научная

This paper offers a detailed analysis of Damascius' discourse on Orphic theology in Chapter 123 of On First Principles, focusing on how Damascius correlates the first principles of Rhapsodic and Hieronyman theogonies to his own Neoplatonic first principles. Through detailed textual analysis, it presents a schematic alignment of Damascian principles with Orphic theology.

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