Статьи. Рубрика в журнале - Schole. Философское антиковедение и классическая традиция
Demonology in the De deo Socratis and in other works of Apuleius of Madauros. Socrates’ daimonion
Статья научная
The article discusses one of the most interesting and important topics in the philosophy of Middle Platonism, namely demonological issues, including the topic of the Socrates’ daimonion, in the writings of Apuleius of Madauros, one of the most important representatives of this trend of philosophy from the 2nd century AD. The issue of the historical sources of Apuleius’ demonology is also discussed. The author is of the opinion that the main source of Apuleius’ demonology were the works of Plato, alongside some influences from the beliefs of the Romans.
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Dialectical approaches of temperance in the platonic dialogue “Charmides” (157c-158e)
Статья научная
The purpose of this article is to investigate how the discussion in Plato’s “Charmides” is formed with respect to a) the ontological and epistemological approaches of the virtue of temperance and b) how the transition from a general definition of a virtue to its presence to a person is accomplished. After a concise presentation of those discussed in the passage 156d-157c, where we follow Plato’s views on the soul to that time, we focus on how dialectics between Socrates and “Charmides” develops in the passage 157c-158e. Our article includes, apart from an introduction and an epilogue, two chapters. The first one is mostly analytical and the second is mainly formed by synthetic judgements. They are both crucial mostly for methodological reasons, since through them we can follow how temperance turns gradually into a question to be investigated and how the Athenian philosopher attempts to set the foundations of a discussion based on rational reason with the main reference focusing on the criteria which someone can use to prove that he possesses temperance.
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Early Theory of Language and Sophistic Argumentation in the Derveni Papyrus
Статья научная
The article discusses the impact of the early sophistic theories of language on the style and argumentation of the Derveni author and shows that he engages deeply with the problematics of semantics as discussed by the sophists, in particular the notions of correct speech, the proper meanings of words, synonymy and homonymy. Aristotle notes that the main device of the sophists is homonymy, the use of which permeates the style and argumentation of the text of the papyrus. According to Aristotle, the concept of homonymy includes general notions. Such an approach can already be observed in the Derveni papyrus, in particular regarding the notion of sameness (τὸ αὐτό) which the author uses in three different ways while playing with its polysemy: the sameness of one and many, the sameness of the opposite aspects of one process and the sameness of synonyms. The article suggests how this sophisticated approach of the author may correspond to earlier hermeneutic traditions related to the orphic theogonic poems.
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Elements in the Pre-cosmic Chaos in Plato’s Timaeus
Статья научная
In this paper I discuss the pre-cosmic state of elements in the Timaeus, when they existed as “vestiges of their own nature” (53b2). In the Timaeus, Plato distinguishes between two states of the elements: pre-cosmic (47e-53c) and cosmic (53c-57d). While the cosmic state of the elements has been extensively analyzed, the pre-cosmic state remains less clear and continues to be the topic of ongoing scholarly debate. Some scholars share the opinion that in the pre-cosmic state of the world the elements were bodies having certain stereometric forms (e. g. Archer-Hind, Taylor, Mortley, Mohr, Miller etc.). While other scholars believe that there were no bodies, but some forces and qualities placed in the Receptacle (e. g. Cornford, Zeyl, Waterfield etc.). I would like to demonstrate that the first interpretation is more consistent with Plato's overall thought than the second. Firstly, I examine the cosmic state of the elements, shaped by the Demiurge into regular polyhedra, in comparison with the pre-cosmic chaos, described as a "field" of heterogeneous, unbalanced forces. Secondly, I define the status of elements in the Timaeus, their role as causes of motion, and the nature of the Receptacle. And finally, I analyze the opinions of ancient commentators on the pre-cosmic chaos, including the presence of primary bodies there and the interpretation of "vestiges" of the elements. I came to the conclusion, that (1) Cornford's interpretation, which posits only forces and qualities in the pre-cosmic chaos, contradicts Plato's fundamental premise that physical movement requires a bodily substrate.; and (2) the description of the pre-cosmic state of the world, which suggests the presence of the elements as disordered and unformed bodies, was widely supported by the views of Plato's ancient commentators.
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![Etymology of the nickname 'Iskarit(h): the “one who saw a sign” [('I)sqar(^i)'^o/yisqar(^i)'^o] or the “one who slandered/betrayed a sign” [('I)sqar(^i)'^o/yisqar(^i)'^o]?](/file/thumb/147103397/etymology-of-the-nickname-iskarit-hthe-one-who-saw-a-sign-i-sqar-i.png "Etymology of the nickname 'Iskarit(h): the “one who saw a sign” [('I)sqar(^i)'^o/yisqar(^i)'^o] or the “one who slandered/betrayed a sign” [('I)sqar(^i)'^o/yisqar(^i)'^o]?")
Статья научная
The article derives Judas's nickname 'Iskariṓt(h) from the Hebrew/Aramaic verb sāqar/seqar, and the noun 'ōṯ/'ôṯ (widely used in Biblical Hebrew and attested in the Talmud [=Aramaic 't/'t']), and interprets it as the “one who saw/gaze upon a sign” (cf., e.g., John 2:23, 4:48, 6:2,14,30 mentioning those who «saw signs» and came to be Jesus's followers; the verbs theōréō and ‘oráō used in these passages correlate with the verb sāqar/seqar, “to look (at), gaze, see”, and the noun sēmeîon (pl. sēmeîa) correlates with the term 'ōṯ/'ôṯ, “sign”). The ex hypothesi “positive” character of Judas's nickname possibly explains the evangelists' renunciation of its interpretation. As an alternative etymology of Judas's nickname 'Iskariṓt(h), one can derive it from the Hebrew/Aramaic verb šāqar/šeqar (“to lie, deceive, slander”, sc. “to violate (a treaty, etc.)”, “to betray” [the latter meaning is attested in Samaritan Aramaic]) and the same noun 'ōṯ/'ôṯ: the “one who slandered/resp. betrayed a sign”, i.e. the one who brought false evidence against Jesus (сf.: Matt. 26:59 ff.; Mk. 14:55 ff.). In Jn. 6:70, Jesus himself defines Judas with the term diábolos; this word can be interpreted as “slanderer”, “accuser”.
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Fata, Fortuna, боги и свобода воли в трагедиях Сенеки
Статья научная
В данной статье исследуются взгляды Сенеки на судьбу (фата), удачу (фортуна), богов и свободу воли на основе анализа его трагедий. Во всех своих пьесах и философских трудах этот римский автор пишет о силе фаты, фортуны и богов, о предопределении хода событий и о необходимости проявлять смирение и почитать богов. Однако в трагедиях, написанных в 40-50-х годах, персонажи винят в своих несчастьях фату, фортуну и богов, которые способны испытывать эмоции (ненависть, гнев, раздражение) и причинять вред смертным. Это противоречит стоическим взглядам Сенеки. Идеи о фате, фортуне, богах и свободе воли, представленные в драмах 60-х годов, больше похожи на его мысли, изложенные в философских трудах.
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Federico Fellini and Homer: Parallels and intersections
Статья научная
This essay is an outgrowth of the topic considered in the previous articles devoted to the image of ancient and modern Rome in Federico Fellini’s films, in which an attempt to analyse several Homeric motifs in Fellini Satyricon (1969) was made. The Italian film director acknowledged that he had dreamed to make a film based on the European ‘Book of the Books’, Homer’s duology – the Iliad and the Odyssey – about the heroes of the Trojan cycle of myths. Other coincidences in Fellini and Homer constitute the object of this study. Deliberate? Fortuitous? Archetypic? Fanciful? The very wording of the topic – Fellini Satyricon as Fellini’s Iliad – is provocative. The article identifies and discusses the parallels and intersections in the works of the two great masters – the Ancient Greek poet and the classic of Italian cinematograph, who lived almost three millennia apart.
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Статья научная
This paper offers a novel interpretation of the luxury golden ring with a carnelian intaglio depicting a woman's profile and an engraved Greek inscription, ΒΑCIΛICCΑ ΟΥΛΠIAΝΑ(Ζ)IA (or AΣIA E.A.), found in cist grave 14, in Mtskheta, Georgia, dated to the Roman period, the 3rd century AD. In consideration of the then contemporary political situation in the Mediterranean and Roman East, through the putting and interpreting sources into broad historical context, the author identifies the female individual as the Roman Empress Ulpia Severina. The very inclusion of royal woman within public propaganda during this period signifies her prominence within, and significance outside of, the imperial metropolis. This deliberate inclusion proved to the public that this empress was not mere figurehead but could have been a very influential person in the Empire.
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Статья научная
L'auteur de l'article tente de relier l'observation des relations économiques et commerciales développées par les Phéniciens dans la partie occidentale de la Méditerranée à une réflexion sur la situation dans laquelle se trouvaient les pays du Levant. On sait qu'à l'époque où la fondation de Carthage peut être hypothétiquement localisée, les centres phéniciens étaient sous pression politique, économique et militaire - principalement de l'Assyrie - bien que d'autres puissances, comme Damas, ne puissent être exclues. D'autre part, cependant, on sait que, par exemple, dans la science allemande l'absence d'acte fondateur de Carthage en Afrique du Nord a été soulignée, et les traces archéologiques laissées sur ce territoire semblent insuffisantes pour concilier les relations littéraires conventionnelles avec l'acte fondateur. de Carthage à la fin du IXe siècle av. L'intention de cet article est de tenter de montrer les enjeux à partir desquels il convient d'envisager la réinterprétation des événements rapportés dans le contexte de la fondation de Carthage. Cette démarche servirait à réviser les connaissances scientifiques existantes sur la chronologie de la fondation de Qarthadasht et pourrait, par conséquent, contribuer à montrer que la fondation de Carthage s'inscrit dans une période postérieure - c'est-à-dire la fin du VIIIe ou le début du VIIe. siècle avant notre ère.
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Статья научная
Modern Ashkelon, founded on the extensive remains of ancient Ascalon, is rich in architectural details; most are focused in the National Park near the Severan Basilica. However, many other artifacts are scattered throughout the current city. In the northern suburb known as Afridar, several collections of architectural elements are displayed at three open-air exhibitions—the “Court of Sarcophagi” and two locations on the shore. The origins of most of these items cannot be determined at this time, although some appear in documentation from the British Mandate period (1930s). This article highlights architectural details from Afridar, mainly from the “Court of Sarcophagi” exhibition, as well as from other sites in Ashkelon. Besides three items with Greek inscriptions, the rest have not been published until now. The author groups them into four categories based on style and date: 1. The “Purely” Roman details; 2. The Roman-Period Spolia Group; 3. The Byzantine-Period Spolia Group; 4. The “Purely” Byzantine-Period Group. All likely belonged to colonnaded structures of Roman and Byzantine Ascalon, such as streets, basilicas, and churches. Some elements are unique in style and lack parallels in local Roman-Byzantine art, and therefore deserve special attention and analysis despite their unclear original context.
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Geometric creativity of Ajami ibn Abubakr Nakhchivani
Статья научная
This article examines the geometric patterns that decorate three mausoleums from Nakhchivan, built in the second half of the 12th century. The architect of two mausoleums was Ajami ibn Abubakr, and the third mausoleum was also built either by him or by someone from his school. Among these patterns are simple and well-known ones, as well as complicated and original ones, undoubtedly invented by him. For each pattern, its structure and the possible idea of its invention are discussed.
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Harmony, order, and unity in Plato’s Laws
Статья научная
In Book X of Plato’s Laws , the motions of the body are contrasted with the changes of the soul. The latter are categorically different from the former. The soul is oriented in time while the body is oriented in space. Despite their differences, soul and body work in unison. When the senses are informed by λόγος, order is perceived and enacted. The coordination of soul and body is most evident in music and dance. A choral dance is a composition in which body and soul and their analogues, space and time, are unified. A city is an analogous composition. The relation between body and soul parallels the relation between a city on the one hand, and its laws, beliefs, and customs on the other. For these reasons, the highest order of a city is its religious order. The religious life of a city integrates time and space as well as soul and body. Religion serves as a binding power that harmonizes the city and its people.
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Статья научная
The paper has as its goal the investigation of the meaning of logos in DK frs. 1, 2, 31b, 39, 45, 50, 87, 108, and 115, with particular emphasis on frs. 1, 2 and 50. It is argued that the focal meaning of the term is ‘account’ or ‘statement’, and that the statement in question, of particular importance in frs 1, 2 and 50, it the account/statement forever being uttered by ‘that which is wise’, ( to sophon ), Heraclitus’ divine principle. Plato picks up the idea, with his notion of a World Soul which is similarly forever in a state of utterance (‘ legei ’, Tim. 37ab) which is a piece of self-description, and it is suggested that a modern version of the notion of the universe being in an everlasting state of such self-description is our ability to learn what it has to say by investigating the ‘language’ of radio waves and the like, which are forever being emitted by all moving systems composing the real, and thereby forever offering us a piece of the real’s self-description of itself.
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History and Fantasy on Acholius, the Biographer
Статья научная
Among the bogus authors cited in the Historia Augusta, there are some who turn out to be masks for real authors, as part of the picaresque aspect of the work. However, the vast majority are simply disregarded as the product of the biographer’s invention. One of them is Acholius, an author cited on four occasions. We believe that there are reasons to include him in the first group.
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Статья научная
This paper offers a detailed analysis of Damascius' discourse on Orphic theology in Chapter 123 of On First Principles, focusing on how Damascius correlates the first principles of Rhapsodic and Hieronyman theogonies to his own Neoplatonic first principles. Through detailed textual analysis, it presents a schematic alignment of Damascian principles with Orphic theology.
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How Souls Communicate in Hades (Proclus, In Rep. II.163.18-168.26)
Статья научная
In the Myth of Er in the Republic Plato describes various aspects of the soul’s afterlife. At 614e3-615a4 he writes that souls who have gathered on the plain of judgment are then divided into those who lived morally good lives and so rise into a place of reward and those who have not who descend into the realm of punishment. On the souls’ return to the plain after their time above or below, they greet one another and tell each other of their experiences. Some 700 years later, Proclus in his commentary on the Republic tries to answer some issues that this short passage must have raised for some philosophers in antiquity. The problem is simple enough: how can souls who do not have bodies or organs of sense communicate in this way? Proclus lays out his response in several stages. He agrees, of course, that souls in the underworld do not have corporeal bodies. However, they do have ethereal vehicles, and these vehicles, he says, are more closely adapted to the souls and therefore less likely to introduce errors in the souls. Thus, the seeing and hearing in Hades is actually clearer and more directly known than those that occur when we are imprisoned in our bodies. These vehicles retain the images received when we were embodied, and thus we can recognize other souls and communicate with them. As for hearing and speaking, the vehicles are actually better at these tasks than the organs in our bodies. How Proclus reaches these conclusions is not immediately clear from the Republic commentary, but with the aid of other works, especially the Timaeus commentary, we will be able to see how Proclus attempts to make the case for disembodied souls speaking and hearing in the underworld.
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Iamblichus path to the ineffable
Статья научная
Iamblichus of Chalcis postulated theurgy on metaphysical grounds as the only means of communion with the supreme principle of everything that exists. Iamblichus sets this principle as a completely transcendent reality, unattainable by reason, and, at the same time, differs from Plotinus, who postulated absolute withdrawal from everything and conceived union with the One as an escape in solitude to the solitary. Iamblichus conceives matter as an instrument for the souls ascent to that principle and explicitly proposes a mysticism of solidarity with the cosmos and with other souls.
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Iconography of Plato in antiquity and in medieval orthodox painting
Статья научная
The article is devoted to the topic of visualization, which is relevant for the modern world in general and scientific knowledge in particular, investigated through the image of Plato in Antiquity and in medieval Orthodox painting. Using the example of Plato’s iconography as a visual message, the authors want to show the great potential for the development of the visual history of philosophy, anthropology and culture in general, as well as the new visually oriented semiotics and semantics of the image. This approach reveals expressively and meaningfully its relevance for the study of Plato’s image, together with other ancient philosophers’ images, in Orthodox medieval churches in Greece, Serbia, Romania, Bulgaria and, of course, ancient Russia in the 15th-17th cc, allowing to see the great ancient Greek philosopher from a new perspective.
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Identity, regional ethnicity and nationality in Carthaginian discourse
Статья научная
This paper explores the sociopolitical and state dynamics of the Carthaginian statehood, early manifestations of nationhood and nationalism and also unpacks issues such as the identity and regional ethnicity in Carthaginian discourse. This study argues there were indeed ancient nations and that Carthage represents one of the best examples. Carthaginian citizens and allies exhibited their national affiliation in a variety of ways, most notably via a willingness to fight for the Carthaginian national collective in the face of extreme duress during the Punic Wars.
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