Статьи. Рубрика в журнале - Schole. Философское антиковедение и классическая традиция

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Iamblichus of Chalcis: texts and translations

Iamblichus of Chalcis: texts and translations

Afonasin Eugene

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Iamblichus path to the ineffable

Iamblichus path to the ineffable

Molina Jose

Статья научная

Iamblichus of Chalcis postulated theurgy on metaphysical grounds as the only means of communion with the supreme principle of everything that exists. Iamblichus sets this principle as a completely transcendent reality, unattainable by reason, and, at the same time, differs from Plotinus, who postulated absolute withdrawal from everything and conceived union with the One as an escape in solitude to the solitary. Iamblichus conceives matter as an instrument for the souls ascent to that principle and explicitly proposes a mysticism of solidarity with the cosmos and with other souls.

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Iconography of Plato in antiquity and in medieval orthodox painting

Iconography of Plato in antiquity and in medieval orthodox painting

Dorofeev Daniil Yu., Svetlov Roman V., Mikeshin Mikhail I., Vasilyeva Marina A.

Статья научная

The article is devoted to the topic of visualization, which is relevant for the modern world in general and scientific knowledge in particular, investigated through the image of Plato in Antiquity and in medieval Orthodox painting. Using the example of Plato’s iconography as a visual message, the authors want to show the great potential for the development of the visual history of philosophy, anthropology and culture in general, as well as the new visually oriented semiotics and semantics of the image. This approach reveals expressively and meaningfully its relevance for the study of Plato’s image, together with other ancient philosophers’ images, in Orthodox medieval churches in Greece, Serbia, Romania, Bulgaria and, of course, ancient Russia in the 15th-17th cc, allowing to see the great ancient Greek philosopher from a new perspective.

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Identity, regional ethnicity and nationality in Carthaginian discourse

Identity, regional ethnicity and nationality in Carthaginian discourse

Avaliani Eka

Статья научная

This paper explores the sociopolitical and state dynamics of the Carthaginian statehood, early manifestations of nationhood and nationalism and also unpacks issues such as the identity and regional ethnicity in Carthaginian discourse. This study argues there were indeed ancient nations and that Carthage represents one of the best examples. Carthaginian citizens and allies exhibited their national affiliation in a variety of ways, most notably via a willingness to fight for the Carthaginian national collective in the face of extreme duress during the Punic Wars.

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Is it possible to see darkness? Goethe and Aristotle on the role of light and darkness in vision

Is it possible to see darkness? Goethe and Aristotle on the role of light and darkness in vision

Mesyats Svetlana

Статья научная

J.W. Goethe in his Farbenlehre deduced all physical colors from a simple primordial phenomenon that takes place every time light and darkness act through a semi-transparent colorless medium either on our eyes or on the opposite surfaces. This basic rule of Goethe’s color theory was criticized by his contemporary physicists, who argued that darkness could not play an active role in the origin of colors because of being a mere absence of light. The paper demonstrates that this criticism became possible only if one shares the Newtonian view on the nature of light and darkness. Goethe however held a more traditional point of view, which he traced back to Antiquity and Aristotle. In contrast to Newton and his followers, previous scientists considered light not as an immediate cause of colors but as an actually transparent medium that conveyed colors from the visible objects to the organ of sight. For vision to take place, the color must first affect the light, which in its turn, must affect the faculty of vision. Though it is difficult to say what kind of change the light undergoes when some colored object is seen through it, most Aristotle commentators agree that this change must be real and not mere relational. In Aristotle’s physics, however, things that are capable of acting on and being affected by one another are either contraries or consist of contraries. Therefore, to be visible the color must be either dark or to contain darkness. Thus, assuming that Goethe shared the Aristotelian concept of light, we have to conclude that he was not mistaken saying that darkness "acts” upon our eyes or “is seen through” the illuminated semi-transparent medium.

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Is lion-headed man orphic Chronos?

Is lion-headed man orphic Chronos?

Song Ju.

Статья научная

This paper discusses the identification of god figure depicted as a man with a lion's head, which has been associated with Aion and equated with Orphic god Chronos. The author challenges the equation of Aion with Orphic Chronos, drawing on evidence from Proclus and Damascius, who both distinguish Aion as a separate entity from Chronos. Additionally, the author presents an attempt to illustrate the Orphic god Chronos based on Damascius' description.

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Julian’s Apostates: conversion to paganism in the middle of the fourth century

Julian’s Apostates: conversion to paganism in the middle of the fourth century

Vedeshkin M.

Статья научная

The article delves into the issue of apostasy among the citizens of the Roman Empire during the brief reign of Julian. It provides an overview of the tactics employed by the emperor to convert his Christian subjects to paganism and evaluates their success across different strata of late Roman society, including the bureaucracy, military, Christian clergy, intellectual elite, and common people. It is concluded that Julian’s efforts at returning the Roman Empire to paganism were far more successful than it has traditionally been thought.

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Logos и logoi у плотина: их природа и функция

Logos и logoi у плотина: их природа и функция

Бриссон Люк

Статья научная

Космос возникает не в результате деятельности творца, но согласно природе. Это возникновение не предполагает мышления или концептуализации, но является результатом действия силы, которая запечатлевает себя в материи. Ум сообщает умопостигаемые формы, которые в нем содержатся, гипостазированной Душе, в которой они превращаются в рациональные формулы (logoi). Затем Душа передает эти рациональные формулы мировой душе, которая порождает одушевленные и неодушевленные сущности, словно по указанию, полученному свыше. Однако, поскольку за порождение ответственна низшая часть мировой души, которая действует по своему разумению, возникшие в результате сущности уступают по качеству своему образцу, что объясняет несовершенство чувственно воспринимаемого космоса и наличие зла, несмотря на присутствующую в нем направляющую силу Промысла.

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Magnum miraculum est homo. The phenomenon of man in asclepius sive dialogus hermetis trismegisti

Magnum miraculum est homo. The phenomenon of man in asclepius sive dialogus hermetis trismegisti

Pawlowski K.

Статья научная

The paper discusses anthropological and eschatological issues in the work of Pseudo-Apuleius entitled Asclepius, sive dialogus Hermetis Trismegisti. In this context, the issue of evil in the moral sense and the question of the sources of evil understood in this way are raised

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Metaia

Metaia

Ekaterine Kobakhidze

Статья научная

It could be said with some precision, that in Antiquity the myth of the Argonauts and especially of Medea herself as a personage of this myth, has enjoyed popularity not only in Greece but also outside its territories. The first among the Italic tribes to be introduced to the personage of Medea no doubt were the Etruscans, who were the first to establish intensive contacts with the Greeks from Euboea founding a colony in Cumae, Italy. It is noteworthy that the first image of Medea in the World Art is seen on Etruscan ceramics. The paper gives detailed analyses of Etruscan olpe and other artefacts on which Medea early appears, providing a solid precondition for substantive conclusions. Some new versions of an interpretation expressed in relation to each of the artefacts on the basis of critical analysis of Etruscan archeological material, of classical texts and of previously undertaken modern research, are provided. Images of Medea in Etruscan art confirmed from the Orientalist era to the Hellenization period represent an original, local interpretation of Medea's image. Medea's magical art turned out to be familiar to the Etruscans, who were well known all throughout the Mediterranean for divination and being experts of magic. In contrast to the Greeks, they turned Medea into an object of cult worship, identifying her with the Etruscan sun god Cavatha.

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Modulation and the underlying assumptions of the pythagorean ban against eating broad beans

Modulation and the underlying assumptions of the pythagorean ban against eating broad beans

Lpez-astorga M.

Статья научная

This paper tries to show that the theory of mental models describes deep mental processes that have to be assumed even by frameworks contrary to it. It has been argued that many explanations on certain cognitive activities different from that provided by the theory of mental models cannot ignore theses of this last approach. Those theses are related to the way the human mind interprets linguistic information and makes inferences. The main goal here is to give further evidence in this way by means of an analysis of a part of a fragment, authored by Diogenes Laërtius, about the Pythagorean ban against eating broad beans. The idea is to make it even more evident that any framework trying to account for how that part of the fragment can be understood by a reader needs to accept suppositions that characterize the theory of mental models.

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Music evolution in ancient Greece and the value of music education in pseudo-Plutarch's "De Musica"

Music evolution in ancient Greece and the value of music education in pseudo-Plutarch's "De Musica"

Salappa-Eliopoulou Athena

Статья научная

A treatise De musica, ascribed to Plutarch (the 2nd c. AD), reflects the music evolution from the beginning of this art in archaic Greece until the early Hellenistic period. Initially, within the spiritual life and the education of the citizens the importance of music education was extremely high. Gradually, during the years, and even since the last part of the 5th c. BC, music, after centuries of dominance, appeared in the spiritual life of the Greeks not as a prevailing feature but as a subsiding one. It was even difficult to maintain its position in the educational system. The participants of the dialogue (the rich host Onesicrates, a musician Lysias and an educated man Soterichus) have been gathered to discuss, investigate and highlight the reasons why this decadence of the role of music has happened, by citing the musicians and recollecting the innovations they brought in the musical practise since the beginning of its history. In the book, apart from the list of musicians and the technical developments they invented, we find information about the views of Pythagoras, Plato, Aristotle and others about the value that music used to have in ancient Greece. The paideutic and moral value of music was the reason why it played a very important role in the education and the three men adopt the most traditionalistic approach and conclude that the technical improvements made it lost ground in favor of the literary studies.

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Neophytos Kausokalybites (1713-1784?) kai to "Kinema ton kollybadon"

Neophytos Kausokalybites (1713-1784?) kai to "Kinema ton kollybadon"

Bargeliotes Leonidas

Статья научная

Leonidas Bargeliotis (Athens) presents the essay "The Neofit Kafsokalivit (1713-1784?) And the movement of the collovads." As you know, this movement arose among the monks of Mount Athos who stood up for the protection of church customs and against those members of the "brethren" who wanted to earn money by selling their goods on the Saturday market and increasing the number of memorial services paid for by parishioners, agreeing to spend them on Sunday and holiday days. The neophyte was one of the protagonists of this movement, and to evaluate his role, the author of this article (1) gives an outline of the philosophical and theological conflicts of that time, (2) explores the religious rhetoric that accompanies the conviction of the monk Neophyte and his stubborn self-defense, and (3) shows the importance permanent relocations of the Neophyte for wide dissemination of the discussion in the Balkans and beyond.

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Neoplatonic Exegesis of Hermaic Chain: Some Reflections

Neoplatonic Exegesis of Hermaic Chain: Some Reflections

José María Zamora Calvo

Статья научная

In his exposition of the philosophical history of Neoplatonist School in Athens, Damascius attempts to prove that Isidore's soul was part of the Hermaic chain to which Proclus also belonged. According to Marinus (V. Procl. 28), Proclus had the revelation of this very fact and had learned from a dream that he possessed the soul of the Pythagorean Nicomachus of Gerasa. In the 4th and 6th centuries the expression “pattern of Hermes Logios” is transmitted through the various links of the Neoplatonic chain, Julian (Or. 7.237c), Proclus (in Parm. I.618), Damascius (V. Isid. Fr. 16) and Olympiodorus (in Gorg. 41.10.16–22; in Alc. 190.14–191.2). The formula that Aelius Aristides (Or. III.663) dedicates to the praise of Demosthenes, the best of Greek orators, arises in the context of an opposition between rhetoric and philosophy, and appears transferred and transmuted in the texts of the Neoplatonic schools to a philosophical context that defends an exegetical mode of teaching. Demosthenes, through his admirer Aristides, exerts an influence on Neoplatonism, introducing Hermes as the key piece that strengthens the chain of reason and eloquence. Hermes, the “eloquent” god or “friend of discourses”, transmits divine authority through the word of the exegete: an exceptional philosopher, a model of virtue to strive to rise to.

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Odysseus and the self-inflicted wound mythical tale and temporality

Odysseus and the self-inflicted wound mythical tale and temporality

Calabrese C., Junco E.

Статья научная

In our work, we show that Helen's recollection of Odysseus' self-inflicted wound places us in an eternal present, emerging "from" and disappearing "in" the nature of the Homeric hexameter, et retour , to create and recreate semantic spaces that make possible the return of the hero and the heroic action, giving the temporal correlation an unexpected meaning through the past-future / future-past correspondence.

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On stoic self-contradictions:  vs.  in Chrysippus (SVF III, 289)

On stoic self-contradictions: vs. in Chrysippus (SVF III, 289)

Seregin Andrei

Статья научная

In this article, I offer an analysis of Chrysippus’ treatment of “injustice” (ἀδικία) in SVF III, 289. First, I show that he espouses two theses: I) Every injustice is an act of harming those who suffer it; II) One who does injustice to others thereby does it to oneself. Then I discuss the two most plausible interpretations of II): a) One who does “conventional” injustice to others, i.e. causes them non-moral harm, thereby does “moralistic” injustice to oneself, i.e. makes oneself morally worse; b) One who does “moralistic” injustice to others thereby does it to oneself. I show that a) is untenable because the Stoics reject the very notion of non-moral harm, and b) fails because they believe that moral harm is basically self-regarding.

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On symbolon and synthema in the platonic theology of Proclus

On symbolon and synthema in the platonic theology of Proclus

Kurdybaylo Dmitry

Статья научная

Many recent studies propose that symbolon and synthēma are synonymous in the writings of Proclus. However, his Platonic Theology contains reliable evidence to put this opinion to doubt. The goal of this research is to determine the meaning of both terms from the contexts of their usage, engaging the textual analysis and the following philosophical reconstruction. As distinguished from a symbol, a synthēma has substantial nature, is stable and remains invariable when is discovered at different levels of the ontological hierarchy. In the Platonic Theology, a symbol is often considered in terms of the hierarchic level, where it appears: in the material world, it is corporeal; among numbers, it is ontologically irrelevant, the intelligible realm contains its proper symbols as well. A significant difference between symbolon and synthēma is related to the dialectics of participation: synthēma in an object keeps it on an unparticipated level, while a symbol implies further participation to a symbolic object. Finally, a synthēma is described as “disseminated,” “planted,” or in any other way hidden in the being; while a symbol is “discovered,” or found in the being, therefore synthēma may be considered an inner kernel of what is discovered as a symbol, and a symbol - as an outward expression of a synthēma. Such understanding of these terms agrees with both exegetical and theurgic contexts in Proclus' Platonic Theology.

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Parmenides and the horse of Ibycus. The hidden meaning of the personification and its role in the dialogue of the "Parmenides"

Parmenides and the horse of Ibycus. The hidden meaning of the personification and its role in the dialogue of the "Parmenides"

Rousakis E.

Статья научная

In this essay, the function of the personification of Parmenides himself with the horse of Ibycus in the dialogue of Plato’s Parmenides will be elaborated. The analytical process of this reference by Parmenides will focus to demonstrate that the personification is an allegorical element of Plato whose role in the dialogue is crucial for the understanding of the author's objective about the second more extended part of the Parmenides.

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Philosophy as ‘holy religion’ (sancta religio). The essence of hermetic philosophy in Asclepius, sive dialogus Hermetis Trismegisti

Philosophy as ‘holy religion’ (sancta religio). The essence of hermetic philosophy in Asclepius, sive dialogus Hermetis Trismegisti

Pawlowski K.

Статья научная

The paper deals with the concept of Hermetic philosophy presented in Pseudo-Apuleius' dialogue Asclepius, sive dialogus Hermetis Trismegisti . The attempt is made to describe the special characteristic of this philosophy and its spiritual dimension. Hermetic philosophy is not about solving complicated theoretical problems. Hermetic philosophy only wants to inspire and arouse the natural spiritual sensibility of its adept and open his mind to receiving the divine Mind (God).

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Plato and the cave allegory. An interpretation beginning with verbs of knowledge

Plato and the cave allegory. An interpretation beginning with verbs of knowledge

Calabrese Claudio Csar

Статья научная

In this paper we study the organization of the allegory of the cavern through the investigation of knowledge verbs. First, we briefly follow the interpretations of the allegory of the cave that we consider most significant and our perspective: all are valid provided that each does not deny the others. At our core we analyze the verbs of knowledge: how they relate to each other and what structure of knowledge they establish. In the conclusion, we affirm that the verbs do not present a vision of being as "what is", but as "what is being"; this means, with respect to the allegory, that the relation between being and intelligibility means a pathway of mutual equalization, which the prisoner of the cave goes through; nevertheless, the attempt to reach a comprehensive intelligence of the being requires one more step: to integrate the phenomena to the comprehension of the real thing.

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