Archaeology, Ethnology & Anthropology of Eurasia @journal-aeae-en
Journal articles - Archaeology, Ethnology & Anthropology of Eurasia
All articles: 584
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Measurements of ~730 male crania from cemeteries associated with Bronze Age cultures of the steppe and foreststeppe zone of Eastern Europe (Yamnaya, Catacomb, Poltavka, Babino, Lola, and Timber-Grave) were subjected to multivariate analyses. D2 distances between sample centroids were calculated, and non-metric multidimensional scaling was carried out. The results are used to evaluate the proportion of indigenous and immigrant groups during four successive periods—Early Bronze Age, Middle Bronze Age, Middle to Late Bronze Age transition, and Late Bronze Age. The differences between Yamnaya populations are comparable to those between recent groups inhabiting vast territories of Eastern Europe, from Karelia to the Northern Caucasus. The ro le of the substrate component in the origin of Early and Middle Bronze Age groups was considerable. However, virtually no continuity was observed at the Middle to Late Bronze Age transition, when post-Catacomb cultures originated. Continuity with Middle Bronze Age groups is observed in Late Bronze Age samples representing the Timber-Grave people, who combined features of the Catacomb and post-Catacomb people. Factors accounting for such a process may include “pendulum migrations” and temporary reversal of funerary tradition from kurgans to “invisible” fl at burials.
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The state of preservation of the Shakhty rock art site and the prospects of its conservation
Scientific article
This article deals with the preservation of the Shakhty rock art site, discovered in the Eastern Pamirs in 1958 by the leading Central Asian Stone Age researcher V.A. Ranov. The analysis of photographs taken in the Shakhty rock shelter during the 2019 survey revealed the nature of destructive processes at the site due to environmental conditions of the Eastern Pamir highland. The article integrates the results of analysis of Ranov's archives at the Donish Institute of History, Archaeology and Ethnography of the National Academy of Sciences, Republic of Tajikistan. Thanks to Ranov's diaries and photographs, it was possible in 2019 to assess the degree of erosion on the rock surface, and the loss of fragments of painted images over more than 60 years. Emergency areas requiring conservation efforts were identified. Principles of conservation and restoration of rock art are outlined, and an overview of techniques developed for sites of this type in the post-Soviet space in the last quarter of the 20th century is presented. State of the art conservation methods for rock art, which, in the future, can be applied for the preservation of emergency areas at Shakhty, are described. A set of measures is suggested to preserve this site.
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The structure of the Late Bronze Age population of Western Siberia: craniometric evidence
Scientific article
To assess the sources of population differentiation in Late Bronze Age Western Siberia, measurements of 68 cranial samples of this and earlier periods were processed with multivariate statistical methods. Results support the idea of at least two post-Afanasyevo migrations to Siberia from the west—pre-Andronovo and Andronovo. The former was represented by Chaa-Khol, Yelunino, and Samus people. Those associated with Karakol culture partly resemble the above and partly both autochthonous populations—that of Baraba (“Northern Eurasian formation”) and that of Okunev culture (“Southern Eurasian formation”), which appear to be two extremes of a single continuum. Differences between the two Andronovo traditions, Fedorovka and Alakul, are likely due to the local substratum in the former rather than to various origins. The Karasuk group arose through admixture between Okunev and Andronovo. People associated with the classic Karasuk culture are closer to the former, while those of the Kamenny Log stage tend toward the latter. People of the Upper Irtysh and the Mongun-Taiga people from Baidag III resemble those of Karasuk. Two pooled groups, Irmen and Mongun-Taiga, and the Pakhomovskaya sample indicate a possible admixture between both autochthonous formations, Northern and Southern, as well as Andronovo and Karasuk. Among the so-called Andronoid groups, only Yelovka and Pakhomovskaya, as well as a sample from Yelovka I, suggest admixture between Andronovans and Western Siberian natives, while Cherkaskul and Korchazhka, like the Late Krotovo groups from Sopka and Cherno-Ozerye and the Begazy-Dandybai group of Baraba, deviate from the Northern Eurasian formation toward Okunev rather than Andronovo. Among the two Eurasian formations, the Southern one (i.e., Okunev) was more affected by admixture between the autochthones and the immigrants.
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Scientific article
We describe the morphological and quantitative characteristics, and the elemental composition, of 23 bronze artifacts, seven silver ones, and a gold adornment, spanning the period from late 11th century BC to 15th century AD. These items (adornments and tools) belong to the Uril and Talakan cultures of the Early Iron Age, Mikhailovka, Mohe, and Central Asian cultures of the Early Middle Ages, and the Ducher culture of the Late Middle Ages. Elemental analysis of the bronze items at the SB RAS Institute of Nuclear Physics Siberian Center for Synchrotron and Terahertz Radiation Station of Local and Scanning X-Ray Fluorescence Elemental Analysis showed that over about 2.5 thousand years, tin-lead or lead-tin bronze was used for manufacture. Also, the best convergence of concentrations of chemical elements for Talakan and Mikhailovka artifacts testifies to evolutionary continuity between the Talakan and Mikhailovka cultures. Analysis of the elemental composition of Mohe silver and gold items from the Amur basin was carried out for the first time, revealing the high purity of precious metals used for manufacturing early medieval jewelry.
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The tiger-dog and its semantics in the Nanai Shamanic sculpture: cultural and cognitive aspects
Scientific article
This article describes the Nanai shamanic set, combining two images—a dog and a tiger. The Nanai shamanic sculpture is viewed as a phenomenon reflecting both the subjective and the objective reality constructed by traditional cultural practices. Parallels with Siberian and Pacific cultures reveal the significance of the domestic animal and the wild predator for the people of the Lower Amur. Using folkloric and lexical data, findings of field studies, and ethnographic evidence, folk images of the dog and the tiger are reconstructed. Viewing the problem in the context of collective knowledge about the world reveals the archetypical and modified layers in the image’s construction. The idea of the dog, typical of all the peoples of Siberia and the Russian Far East, is that of a draft animal, assistant, sacrifice, and guide to the afterworld. Its image in the Nanai shamanic sculpture was meant to enhance the power of the spirit. It was often combined with the image of the tiger, personifying shaman’s power and the progenitors. The analysis of the terminology relating to the tiger attests to the Southeast Asian roots of its cult. The tiger semantics in the Nanai culture resulted from a blend of Tungus, Paleoasiatic, and Manchu (Chinese) elements. These images were used by shamans not only as assistants in “capturing” spirits and holding them in “detention”, but also as a means of communicating with the world of spirits.
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Review article
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The tree-clan-individual concept in traditional Khakas culture (late 19th to mid-20th century)
Scientific article
On the basis of ethnographic, folk, and linguistic materials, most of them newly-introduced, the “tree-clan- individual” concept in the Khakas culture is reconstructed and analyzed. The status and image of the tree in their traditional mythological and ritualistic system is assessed. Notions of man and his environment were related to anthropomorphic reasoning, by which natural objects, such as trees, were endowed with human attributes. In their religious-mythological views the tree was identified with a person, with the crown of the tree being the head, the trunk being the body, branches as being arms, sap as being blood, etc. Trees were believed to be either male or female. In the traditional consciousness, human life scenarios were closely paralleled to those of trees. The vegetative code was used to refer to various psychophysical, mental, and other human phenomena. Social norms included special rules in dealing with trees, used in logging. In essence, a tree had to be dealt with like a humanlike being. In mythological thinking, felling a tree was to some degree tantamount to murder. Souls of specific individuals or groups were likewise associated with trees, so each Khakas seok (clan) had a sacred tree. It was an integral part of the burial rite. The tree, then, was a key element in the ideological structure, having a broad semiotic field.
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Review article
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The use of natural scientific methods in the study of leather items from archaeological excavations
Article
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Review article
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The “Makarovo” component of Sosnovyi Bor, Southern Angara, revisited
Scientific article
The paper presents the findings of a revision of a flint assemblage subjected to aeolian corrasion from Sosnovyi Bor horizon VI, southern Angara, in the Angara-Belaya geoarchaeological region. Initially, the industry was attributed to the “Makarovo Paleolithic Horizon” and dated to the pre-Karga/pre-Murukta stage in accordance with the idea of extreme deflation periods in Siberia. Our revision has resulted in a more accurate assessment of the assemblage composition, correcting the views of the toolkit, flaking strategies, and aeolian corrasion of lithics. We challenge the earlier idea that narrow-faced cores were made on bifaces. Instead, the findings indicate the use of volumetric prismatic and flat-parallel cores with a maximal reduction of residual forms. Two types of blanks are described: blades and bladelets. Small tools include burins, implements with a fashioned tip (“nose” or “spur”), retouched blades (the retouch sometimes extends to proximal parts). Signs of aeolian corrasion range from weak luster to completely worn-off facets and pitted surfaces. Chronological and cultural proximity of Sosnovyi Bor to Makarovo IV industries is questioned despite similarities in post-deposition conditions and flaking, because the tool kits are markedly different. The closest parallels are found among Early Sartan small-blade industries of Trans-Baikal and Yeniseian Siberia. Abrasion could have occurred during the cold and arid maximum of the last glaciation. We conclude that the industry dates to the middle stage of the Upper Paleolithic.
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Tools used in Tagar rock art: findings of an experimental traceological study
Scientific article
We describe the findings of traceological analysis and experiments with bronze and iron tools used by Tagar and Tes artists. The pecking traces these tools leave on the red Devonian sandstone were examined to assess which of them could have been used in rock art production. At the first stage, a preliminary analysis of Tagar petroglyphs was carried out, and metal tools and weapons from the Martyanov Museum of Local History in Minusinsk were examined. Morphologically suitable ones were selected, and experimental tools were made of stone, copper alloys, and low-carbon steel. Experiments were conducted and samples of pecking traces were produced. The final stage of the work consisted of comparing these samples with actual petroglyphs, and use-wear traces on the experimental tools with those on the actual tools. This approach made a direct comparison possible. Among the Tagar and Tes metal tools, those that had likely been used in rock art production were detected. The conclusion was made that no specialized tools designated for that purpose existed at that time in the Minusinsk Basin. Rather, multifunctional tools were used. These were made of tin bronze and low-carbon steel with thermal processing. Such tools first appeared in the region in the Early Iron Age.
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Traces of the Dahaean and Sarmatian cultural legacy in Ancient Turan and Old Rus
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This study examines the migrations of the Dahae and Sarmatians—the two related early nomadic peoples of Middle Asia and Eastern Europe—directed to the south and west of their homeland. Archaeological, written, and folkloric sources make it possible to trace the migrations of the Dahae and Sarmatians over several centuries preceding the spread of Islam in Central Asia and of Christianity in Old Rus. The study focuses on mortuary monuments, temples, and sanctuaries, cross-shaped in plan view, of migrants and their descendants. A detailed analysis of the major southward migration of Dahae from the Lower Syr-Darya in the late 3rd to early 2nd BC is presented. This migration had a considerable effect on ethnic and cultural processes in Middle Asia. The migration aimed at conquering the lands of Alexander the Great’s descendants, who were rapidly losing control over them. Features of Dahaean culture are noticed in town planning, architecture, mortuary rites, armor, etc. over the entire territory they had captured. Southward migration of the descendants of the Dahae—people of the Kaunchi and Otrar cultures—from the Syr-Darya, led by the Huns, was part of the Great Migration. The Kaunchi people headed toward the oases of Samarkand and Kesh, the Otrar people toward the oasis of Bukhara, and those associated with the Dzhetyasar culture toward the Qarshi oasis. It is demonstrated that while the cross-shaped plan view of religious structures turned into the eight-petaled rosette, the fu neral rite did not change, remains of burials and charcoal are observed everywhere. Relics of the ScythoSarmatian legacy are seen in the culture of Old Rus. For instance, remains of the sanctuaries of Perun are walls and ditches arranged in a cruciform or eight-petaled fashion, fi lled with charcoal and bones of sacrifi ced animals, with a statue of the supreme Slavic deity, in the center. Early sanctuaries of Perun in Kiev and Khodosovichi were cruciate in plan view, while later ones on the banks of the Zbruch and the Volkhov rivers had octopetalous plans. Apparently they were infl uenced by the architectural traditions of Dahae and Sarmatians, who took part in the ethnogenetic processes in both Old Rus and Turan.
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