The metal ages and medieval period. Рубрика в журнале - Archaeology, Ethnology & Anthropology of Eurasia
Offerings of Hunnic-type artifacts in stone enclosures at Altynkazgan, the Eastern Caspian region
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This study examines the use of charcoal for dating iron-smelting furnaces in the southeastern Altai. Problems with using radiocarbon analysis in this case are connected with the accuracy of assessing the calendar age. Another important reason why the age of furnaces is overestimated is the “old wood” effect. This effect cannot be avoided by making radiocarbon dating of thin tree trunks (branches) from slag or by using the youngest radiocarbon dates of samples from a single archaeological context. In the case of dendrochronological analysis, considering the age trend in individual series is also not a reliable criterion for determining closeness to the bark due to the long lifespan of trees in the southeastern Altai. Currently, the only way to avoid the “old wood” effect is to date samples with preserved bark, which are quite rare. Results of dendrochronological analysis demonstrate that conclusions drawn from the earliest dates for the same furnace are unreliable. Long tree-ring chronologies based on archaeological charcoal are more prospective for dating ferrous metallurgy sites in the region. The use of dendrochronological analysis minimizes the difficulties with interpreting radiocarbon dates.
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On a distinctive feature of the Andronovo (Fedorovka) funerary rites in the Baraba forest-steppe
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On phoinix and its distinguishing marks: a Karian “type site” or a demos to Hellenistic kamiros?
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The oldest known inhabitants of Taşlıca (Bozburun Peninsula, in Southwestern Turkey), recorded as Phoinix in the inscriptions, were the Tloioi people. In the light of the ancient Greek corpus reported especially from the site of Fenaket (namely Rumevlek, forming the core of the dwelling zone) and the Classical wall ruins at the Acropolis, it is understood that the village has been systematically occupied since the 5th century BC. The settlement, which grew as a dominion of Kamiros as of the 3rd century BC, expanded its territory in the NE-SW axis over the centuries. Although Phoinix’s chess-board system of insulae of the megara offers parallels with Kamiros, owing to its Hellenistic-style plan and layout, it contains clues to far more ancient codes. In this study, besides being greatly equated with the Hellenistic period, Phoinix’s identity in the historical process, which gives indications of her Karianism, is discussed with the help of selective materials, basically authentic architecture tracked over the region. Apparently, the pyramidal monoliths were not unique to Phoinix; however, the Tloans, like the other neighboring komai on the mainland, seem to have managed to keep their traditions of communication with the “other world” through such features. Hence, these monoliths, which evoke the ziggurat morphology or the famous Mausoleum at Halicarnassus to connect to the afterworld, must have been the typical manifestations of the Karian mentality, sufficiently reflected by the aboriginal communities, however inevitably overshadowed by the grandest architectural projects of the Hekatomnid dynasty.
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On the Identification of Anonymous Artists in Rock Art
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This article addresses the assessment of anonymous artistry in rock art—something basically different from the attribution of later paintings, where extra-artistic information may help to attribute the work to a specific artist. No such information is normally available in the case of rock art. The most one can expect in that case is to reveal pictures by one and the same creator, or by his imitators. In this study, we used the method of Giovanni Morelli, who proposed to assess artistry on the basis of secondary details reproduced unconsciously. Two examples of such details are discussed in detail. One concerns structural elements such as fossa, fossula, foveola, insecta, and fissura, detected by traceological analysis of petroglyphs associated with the Tagar culture of Khakassia. Their occurrence and orientation provide clues as to individual motility and thereby to their creators, albeit anonymous. The second example concerns diagnostic features of the large marine mammals depicted in the petroglyphs of the Ulsan group, South Korea (Bangudae and Cheonjeon-ri). Animals represented in those petroglyphs can be diagnosed at the species level, and the way they are represented enables us to decide whether the artist himself observed them or whether he merely imitated someone else’s mannerisms.
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On the chronological position of Siba culture metal artifacts, Northwest China
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This study shows that bronze artifacts typical of the Siba culture (Gansu, China), such as cast convex plaques with loops, open-gap hook earrings with trumpet-shaped ends, and lamellar stemmed daggers, are similar to those from burials of the Late Krotovo (Cherno-Ozerye) and Andronovo (Fedorovo) cultures in Western Siberia, while the socketed celt-adze from the Ganguya cemetery is paralleled by those from Late Krotovo, Alakul, and Srubnaya complexes. Open rings with two opposed cast trumpet-shaped ends, open-gap hook earrings with trumpet-shaped ends, and cast convex plaques with loops, as well as stemless lamellar bronze knives with triangular section along the entire length, synchronize Siba with the cultures such as Munkh-Khairkhan, Late Qijia, Lower Xiajiadian, and Late Glazkovo. Therefore, radiocarbon dates of the Siba culture are confi rmed, suggesting that it falls within the 1800–1400 BC interval. If so, Siba bronze knives with curved spines and I-beam-shaped section of handles, as well as cast convex plaques with loops, can be considered prototypes of Late Bronze Age types of the Karasuk and Irmen cultures. Populations of western China preserved earlier (Seima-Turbino?) traditions of metallurgy, having infl uenced the culture of the mountain-steppe zone of Northern Eurasia in the last third of the 2nd millenium BC.
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On the history of Asian Bosporus in the early Byzantine times: excavations at Verkhnegostagaevskoye
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On the time and context of the earliest bronze mirrors in the Northern Pontic region
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Origin and date of cast-iron moldboards from southern Siberia
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The study addresses the dating and provenance of cast-iron moldboards found in Southern Siberia (the Altai Mountains, Khakassia, and Tuva). For the first time, a similar artifact from the Katanda valley, Ust-Koksinsky District, Republic of Altai, is described. The traditional idea that such artifacts date to the Tang epoch (618–907) is unwarranted. New interpretations of inscriptions on moldboards are proposed, indicating ties with the metallurgic center in Qiyang, Shahe County, Hebei Province, China. Certain specimens could have been manufactured in Qiyang, while others may be local replicas of Chinese prototypes. The closest parallels are those from Northern China, dating to 900–1400 (Song, Liao, Western Xia, Jin, and Yuan states). Those from Southern Siberia likely date to th e 13th–mid-14th century, when that territory was part of the Mongol and Yuan empires. The appearance of Chinese moldboards and their replicas in Southern Siberia was caused by the establishment of military-agricultural settlements, and progress in agriculture and metallurgy under the auspices of Yuan governors, who needed food to supply the army.
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Origin and evolution of the earliest iron-smelting technologies in the Khakass-Minusinsk basin
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The Khakass-Minusinsk Basin is archaeologically one of the best studied regions of Russia. Bronze artifacts from the pre-Scythian and Scythian epoch from that area are famous worldwide. However, iron production appears rather late there. From 2009 to 2018, a joint Russian-Japanese expedition excavated several sites documenting the earliest iron manufacture in the Khakass-Minusinsk Basin. On the basis of these excavations and experiments, metallurgical technology was reconstructed. The results suggest an evolutionary model of metal production in the Khakass-Minusinsk Basin during the Xiongnu-Sarmatian period. Three types of iron-smelting furnaces are described, structurally differing in terms of air-blasting and slag removal. The conclusion is made that the initial iron production technology had been borrowed, and later evolved in situ.
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